Tocar nuestros bordes, 2019.
Installation. Printed paper, nail polish, painted eggs, collage, epoxy resin.
200 x 150 cm, variable measures.

Acariciando la armadura, 2019.
Expanded metal, cartapesta, acrylic collage on rice paper with single-channel video projection without sound.
75 x 65 x 45 cm.

Pared de piel, 2019.
Expanded metal, cartapesta, acrylic paint and video projection.
270 x 167 cm

La filmación es un plano secuencia de una pared de ladrillos de 3km que rodea la totalidad de un parque llamado Greenwich Park en Inglaterra, el cual atravesaba casi diariamente cuando vivía ahí. Este muro im- ponente y eterno presenta distintas tonalidades y tipos de ladrillos a lo largo de su superficie. Me interesa la analogía de la pared con la piel ambas como interfaces que separan y unen el adentro y el afuera.

Piel de corteza, 2019
Oil on canvas with relief (newspaper, plastic, tape and metal beams)
190 x 145 x 15 cm

La llaga perfecta, 2019
Diptych. Oil, collage, curitas and epoxy resin on canvas.
140 x 243 cm

Arrugas en la frente, 2019
Oil on canvas, epoxy resin, orange peel, hair, dyed wadding and painted voile.
90 x 30 cm

Deseo y Abyección, 2019
Cartapesta, acrylic paint, furs collage, silicon, on welded metal bases.
90 x 150 x 90 cm

What?, 2016
Video monocanal con sonido, 4:30 min
90 x 30 cm

What? when? how much? with who? A voice spits out these questions and others, increasing in intensity and speed as a hand examines and rearranges through touch an abject combination of foods. This video follows my line of interest to explore the relationships between materiality and meaning, food being one of the primordial and most loaded materials with which we come into contact as living beings.